Tells the life story of Danish author Karen Blixen, who at the beginning of the 20th century moved to Africa to build a new life for herself. The film is based on her 1937 autobiographical novel.

Coronation Street: Out of Africa is a 2008 spin-off film featuring locals from the British soap opera Coronation Street, who visit the luxury resort of Sun City, South Africa. Cilla Battersby-Brown, the mother from hell, brought her son and other "son" over to Africa to win a competition for $500,000

In some cultures, jackals were pursued and condemned as pests that fed on parasite-infested carcasses. In others, such as Ancient Egypt, they were divinely celebrated. This documentary accompanies a young scientist, who is drawn to these mythical mammals, and takes us on a journey to explore golden jackals, from Egypt to the barren hills of Greece.

Historian Luke Pepera looks at how and why the history of Africa was written out of world history. He also explores how and why, as a consequence of this, the history of Africans in Britain was written out of British history.

The film shows the genesis of the Swiss Tropical Institute under the direction of Rudolf Geigy. From his employees and students he was partly admired, partly feared. His moods and outbursts were legendary. As a wealthy industrialist, he was able to afford virtually everything and generously invested in the establishment of the Tropical Institute, but also made considerable development aid in Africa. A search for traces with contemporary witnesses.

Interweaving stories of Western collectors, Muslim traders, African artists and intellectuals, and the filmmakers themselves, the film focuses on a remarkable art dealer from Niger named Gabai Barre. It follows him all the way from the rural Ivory Coast to East Hampton, Long Island, where he bargains for a sale. The film shows how (through occasionally hilarious and frequently fantastic tales about the art objects) he adds economic value and changes the "meaning" of what he sells by interpreting and mediating between the cultural values of African producers and Western consumers.

The vet Markus received the offer of taking over an animal centre in Africa. There he mets Arianne, a woman who is going through a troubled marriage.

Originally commissioned by an Austrian couple in 1961 to photograph a travel diary documenting their wild game hunt, Kubelka shot three hours of film and recorded fourteen hours of audio. Over the next few years, Kubelka toiled in the editing bay, producing a work charged with intricate, ironic brutality.

A rich businessman is fed up with work, family, society, and goes with his accountant to Africa, in search of his brother-in-law who had vanished there in mysterious circumstances. They will find him alright - as a tribal chief, surrounded with lots of topless, shapely wives. They are going to return to civilisation, but will their friend come with them?

1960. The USSR starts humanitarian aid programs based on Marxist ideology in several newly independent African countries. For more than 35 years the Soviets expand their influence in Africa. Soviet filmmakers are sent along to document the glorious advance of socialism on the entire continent. After the fall of the Soviet empire Russia lost political interest in Africa, but thousands of kilometers of footage shot on African soil remain. With the help of filmmakers from back then, OUR AFRICA will recreate the time of the “Great Utopia” and expose the mechanisms behind the creation of propaganda films.